The Games
of Apollo
Youths play
at the beach
The streets
of Venice
Aschenbach's
dream
Traveller +
Aschenbach
Boat to
Venice
Gondolier +
Aschenbach
Streets of Venice

Barber +
foppish
Aschenbach

The Strolling
Players

The beach
Gondola to
the Lido
Boat to
Venice

Münich Cemetery

Benjamin Britten

Glyndebourne Opera House

Director: David Edwards

The opera Death in Venice tells of a widowed novelist, Gustav von Aschenbach, and his fateful meeting with the Polish boy Tadzio and his family while on holiday in Venice. Underlying Aschenbach's infatuation with the youth is the spread of cholera across the city.

The stage is gently raked. The translucent floor are underlit to express various areas of water: the sea, the lagoon and canals. Vertical painted translucent scrim screens glide across the playing area to create various degrees of enclosure including large sea vistas, the Lido's beach, the streets of Venice and interior rooms. Their movement creates smooth cinematic-like transitions between scenes.

The clothing is true to the pre World War I era of the opera. The Citizens of Venice have simple clothing; the Hotel Guests wear opulent society dress.

The roles of the Traveller, the Fop, the Old Gondolier, the Hotel Manager, the Barber and the Lead Strolling Player and are played by one baritone. He has the same moustache and glasses throughout; each of his costumes is a variation on one style.

The colours become more and more muted, as Aschenbach's grasp on reality fades; The colours of Tadzio and his mother's clothing become more intense as Aschenbach's infatuation with the youth grows.

Aschenbach's clothes, hats, shoes and facial hair gradually take on more and more of the characteristics of the fop he despises.

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While wandering through a Münich cemetery, lamenting the apparent loss of his creativity, the widowed novelist Aschenbach hears a traveller sing of the glories of far-off lands.
Death in Venice
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